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Dracula, by Hamilton Deane, John L. Balderston
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Drama
Hamilton Deane and John L. Balderston, from Bram Stoker's novel
Characters: 6 male, 2 female
3 Interior Scenes
An enormously successful revival of this classic opened on Broadway in 1977 fifty years after the original production. This is one of the great mystery thrillers and is generally considered among the best of its kind. Lucy Seward, whose father is the doctor in charge of an English sanitorium, has been attacked by some mysterious illness. Dr. Van Helsing, a specialist, believes that the girl is the victim of a vampire, a sort of ghost that goes about at night sucking blood from its victims. The vampire is at last found to be a certain Count Dracula, whose ghost is at last laid to rest in a striking and novel manner. The play is intended for all who love thrills in the theater.
"Pure escape and great fun." N.Y. Post
"An evening of high class fun." Newsweek
- Sales Rank: #310479 in Books
- Brand: Brand: Samuel French, Inc.
- Published on: 2011-01-13
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .25" w x 5.00" l, .28 pounds
- Binding: Paperback
- 120 pages
- Used Book in Good Condition
Most helpful customer reviews
2 of 2 people found the following review helpful.
There ARE Such Things: The 1920s Classic
By Gary F. Taylor
Hamilton Deane, the leader of an English theatrical company, is said to have written the script for DRACULA from the Bram Stoker novel in four weeks--and we owe much of how we think of the Count to Deane's eye for the theatrical, for it was he who transformed the character from Stoker's original monster into the suave, elegant, and sexually brooding creation we have seen repeated in novels, plays, and films ever since.
First performed in 1924, the original English production proved an audience favorite, touring for three years before it even arrived in London. In 1927 John L. Balderston did a re-write of Deane's script, altering the characters and their mode of speech for an American audience. The resulting play was a smash, with Bela Lugosi a sensation in the title role, and like the English production it was extremely popular on tour. The play was eventually sold to Universal in Hollywood, and with Lugosi and Edward Van Sloan repeating their roles as Dracula and Van Helsing, it became the first in a highly successful wave of horror films of the 1930s. In 1977 the play received a Broadway revival starring Frank Langella and once again proved extremely popular, with several touring productions, an English revival, and a film version following.
The play requires six men, two women, and three stage sets: the library in Dr. Seward's sanitorium; Lucy's Boudoir at the same location; and an underground vault beneath the sanitorium. The play is in three acts, and the library set is repeated from Act One to Act Three. Even in the 1920s the play was a highly technical production, and the script includes some forty pages of production notes ranging from lighting to the construction and operation of the bat to costuming. Many of the script demands would be daunting for a major theatre, much less a community or college theatre, but the play has been successfully performed on small stages and with make-shift effects for years.
Unlike the novel, which is a sprawling creation, the script is surprisingly compact. It is distinctly of the 1920s, and it has a distinctly antiquated, at times slightly clunky quality--which is actually part of the play's charm, and while the script is talky it does in fact move at a lightning pace, with plenty of special effects to surprise the audience along the way. The first act quickly establishes the basic premise: Seward's daughter Lucy, engaged to marry John, has fallen prey to a vampire, Count Dracula. He is exposed by Dr. Van Helsing, and the second and third acts essentially unravel the strangeness of Dracula himself. The conclusion is startling: just as Van Helsing, Seward, and John seem on the verge of destroying the vampire, he mysteriously vanishes from the stage, and the trio are forced to hunt him down in a hidden, underground lair.
Critics of the 1920s and 1930s were not overly fond of the script or the play itself, but then and now audiences have loved it, and with good reason: it is fast-paced, it wildly melodramatic, it is just a little campy, it really does provide a few unexpected thrills, and on the whole it's just a tremendous amount of fun. Fun to read, fun to perform, and fun to see. Recommended.
GFT, Amazon Reviewer
0 of 0 people found the following review helpful.
Five Stars
By Happy
Fun to read. A classic. Quick delivery.
0 of 0 people found the following review helpful.
Five Stars
By Ted M Speros
This was a dream. Perfect
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